Review of: Painful Duel

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Accessed Oct. It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK. Facilities in Duel World Cards you should trade How to beat the Vegabond How to solve Duel Quizes. Card Trader Ranked Rewards Card Trader Ranked Rewards. Special Day Campaign.
Painful Duel

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Scelta Dolorosa Check translation. Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie. The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.

He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann, and none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves. Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.

He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue.

Duel was initially shown on American television as an ABC Movie of the Week installment. It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.

The film's success enabled Spielberg to establish himself as a film director. Duel was first released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.

The film received many positive reviews and is considered by some to be one of the greatest TV movies ever made. Interpretations of Duel often focus on the symbolism of Mann and the truck.

Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.

Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival. From Wikipedia, the free encyclopedia.

International theatrical release poster. Universal Television. Release date. Running time. Dennis Weaver as David Mann Jacqueline Scott as Mrs.

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Gagul · 20.08.2020 um 11:59

Wirklich, Danke

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